peter cowie造句
例句與造句
- More critically, Peter Cowie commented that the film " suffers from its profusion of cultural references and asides ".
- Film historian Peter Cowie praised Laird Cregar's " distinguished performance . . . as the effeminate art dealer Clive Oxford ".
- In 1977 he published " World Filmography " with Peter Cowie, and began authoring the annual Movie Guides for " Variety " from the 1990s.
- Despite Peter Cowie's efforts, and the acclaim of many other critics and " independent " festivals, The Finnish National Film board has stubbornly sequestered this masterpiece, only releasing it in a DVD format incompatible with international viewing, and lacking English subtitles.
- Peter Cowie had access to Francis Coppola's scripts, associates, and business papers ( as of 1982, Marlon Brando had earned more than $ 6 million from his salary and percentage ) and has supplemented it with interviews to create a strong piece of film history.
- It's difficult to find peter cowie in a sentence. 用peter cowie造句挺難的
- Peter Cowie's excellent " The Apocalypse Now Book " usefully details the arduous shoot in the Philippines, which was interrupted by storms and hurricanes, almost as if Coppola were expiating America's Vietnam folly by undergoing a cleansing purge in making this film.
- It includes commentary by film scholars Brian Stonehill and Charles Affron, 24-page booklet, including transcribed excerpts from Stonehill's 1990 interview with Marcel Carne, cast biographies, an essay by film historian Peter Cowie, an introduction by director Terry Gilliam and a new English subtitle translation.
- If you don't know the rules, you are crushed; but if you do know the rules you are cut off from your own nature . " Dudley Andrew described the film's " complex social criticism " while Kenneth Browser and Peter Cowie wrote about its sense of humanity.
- But this is the most beautiful I have seen since, well, since when ? " Peter Cowie noted that Bondarchuk brought to his adaptation " the epic sweep that had eluded King Vidor . " Joseph Gelmis of " Newsday " agreed that the film was " superior [ to Vidor's ] as drama and spectacle.
- "Fischer's great skill was in monochrome, " according to the British film historian Peter Cowie . " He gave Bergman's films that unique expressionist look, with their brilliant contrasts in every gradation of black and white . " His style was drawn from the landscapes of Carl Theodore Dreyer and Victor Sj鰏tr鰉, whom he knew well.
- Based on a novel by the late Timo K . Mukka, one of Finland's most controversial young writers, the film " stunned Scandinavian critics and audiences alike with its simple, terrible power and its authentic sensuality " ( Peter Cowie ), and went on to become one of the biggest box-office successes in the Finnish cinema's history.
- In the decades since, its critical status as the greatest film ever made has grown, with numerous essays and books on it including Peter Cowie's " The Cinema of Orson Welles ", Ronald Gottesman's " Focus on Citizen Kane ", a collection of significant reviews and background pieces, and most notably Kael's essay, " Raising Kane ", which promoted the value of the film to a much wider audience than it had reached before.
- In " PopMatters ", David Sanjek wrote, " The dazzling manner in which " Haxan " shifts from illustrated lecture to historical reenactment to special effects shots of witches on their broomsticks to modern-dress drama pointed to ways the documentary format could be used that others would not draw on until years into the future . " Peter Cowie similarly argued in " Eighty Years of Cinema " that it established Christensen as " an auteur of uncommon imagination and with a pictorial flair far ahead of his time . " Film critic Leonard Maltin awarded the film three out of a possible four stars, lauding it as " visually stunning " and " genuinely scary ".
- As Speed recalled in the annual's 50th edition, " That initial 1944-45 book sold some 80, 000 copies to a book-starved public and the second annual reached a dizzy 250, 000 print order . " The book rapidly developed into an annual illustrated digest of all the films screened in the UK . As time went on, Speed gathered together more and more outside contributors, among them Peter Noble, William K . Everson, Oswell Blakeston, Peter Cowie, Anthony Slide, Ivan Butler and Gordon Gow, as well as soliciting special articles by such film industry figures as James Mason, Michael Balcon, Cecil B . De Mille, Jean Kent, Rita Hayworth and Alfred Hitchcock.